I don’t know where my old Muffs cassette is these days, but that band carved out a little space in my music-loving heart, and I was so sad to learn that their frontwoman, Kim Shattuck, has died way too young — age 56, of ALS.
It’s not just their catchy little snarky/world-weary/get-over-it ditties. It’s the delivery, the embodying of those tunes, that expression of attitude through Kim’s huge, raw, roaring, gloriously fed-up and totally whole-hearted singing, shouting and screaming.
Gods, what a voice!
Though she wore her cutesy-L.A. punkette style with panache and flavor, Kim Shattuck’s voice was physically huge. Louder than just about any other rock’n’roll shouter that I can think of except, maybe, I dunno, Robert Plant? Paul McCartney belting it out in “Oh! Darling”? I mean, there’s no shortage of big voices in rock’n’roll, and I don’t intend here to diminish them. Specific to genre and gender, for example, Courtney Love, certainly, can bring it as viscerally as Shattuck did.
Yet they are different singers and different musicians. And Love’s songs have a depth of despair and anger that The Muffs never really plumbed.
But then again, The Muffs didn’t really need to plumb those depths; that wasn’t what they were about. Not knowing details of their personal lives, The Muffs did not come across as a band about life as a train wreck. Their songs were about moving on, about rising above, about living it and getting over it through sheer gumption, gusto and a game face. The mundane indignities of life’s stupid imbroglios, the scorn-worthy behavior of one’s self-absorbed, oblivious or just-plain-petty peers — you can deal with it all, and grab hold of some beautiful rock’n’roll catharsis along the way, by singing it all out as loud and as hard as you can.
And on any Muffs album, Shattuck’s voice is all the way on, all the time.
She was by any reckoning a top-notch guitarist and bandleader, and wrote great little tunes, but she took herself to another level by putting her whole being into every note she sang.
R.I.P. and thanks for such tremendous sound and feeling, Ms. Shattuck.
Tom Stites, an accomplished and indeed storied news hound (and a mentor and great inspiration to me), has produced this important article about the continuing decline in civic investment and recognized value of journalism, and original reporting in particular.
It’s stocktaking time — five years since the Big March to the digital journalism future stepped off in 2006, strutting toward what was widely trumpeted as inevitable triumph. Auspicious events amplified the cheering:
The City University of New York launched its Graduate School of Journalism with an innovative curriculum and hired the outspoken citizen-journalism advocate Jeff Jarvis to direct a new interactive media program and teach entrepreneurship.
Harvard’s Berkman Center for Internet & Society widened its interest in the growing edges of news by adding to its roster of fellows Dan Gillmor, author of the seminal 2004 participatory journalism book We the Media, and the protoblogger Doc Searls.
In his widely followed PressThink blog, New York University journalism Prof. Jay Rosen headlined an item The People Formerly Known as the Audience; it immediately became a defining meme for journalism on the web, which empowers everyone to participate.
The Knight Foundation, the premier funder of journalism projects, kicked off its $5-million-a-year News Challenge grants program.
So, five years later, how’s the Big March working out for journalism — and for the democracy that’s so dependent on it?
As the digital march began, newspaper advertising revenue began its own march — off the cliff: five straight years of decline, verging on a 50-percent plunge. The decline is a bit less grim as it moves into its sixth year, but it shows no sign of turning around. The number of dailies has been in decline since 1973 and — no surprise — the failure trend accelerated with the ad crash. Newspapers are just starting to make some headway with metered website paywalls that show promise of generating Internet revenue that can offset more than a tiny fraction of print losses.
A parallel march, of laid-off reporters, editors, and producers leaving newsrooms of all kinds, has cut the nation’s salaried news personnel by almost a quarter over the same period. Despite contributions from varied web journalism efforts, the net amount of original reporting, the bedrock of journalism’s public good, is declining sharply. And so is journalism’s nourishment of civic health and democracy.
Two Knight-funded studies of web journalism efforts, including the comprehensive 2009 report of the Knight Commission on the Information Needs of Communities, have praised lots of interesting efforts but found no business models that are both self-sustaining and replicable from community to community. The Knight News Challenge has run its five-year course and, after strategic review, the foundation says it will shift to three 12-week rounds in 2012; the foundation says it is shifting to include more of a “social investing” venture capital strategy in its work.
The most prominent web journalism business model with corporate millions behind it, AOL’s Patch, is drawing wide scrutiny and little if any optimism outside AOL that it will prove sustainable.
“Even as the [Knight] Commission did its work, the situation was getting dramatically worse,” Mike Fancher, the retired editor of The Seattle Times who helped write its report, wrote recently in a follow-up white paper. “Perhaps most importantly, emerging media struggle to be sustainable businesses.”
The buzz about how bloggers and citizen journalists will save the day, once almost deafening, has died down to a murmur ….
California Watch’s stories about earthquake safety problems in schools reached hundreds of thousands of people through a statewide network of radio, TV and newspaper partnerships.
But the ones most affected by nonprofit news agency’s investigation were the ones least likely to read it — children.
That’s where Ashley Alvarado comes in. Her job as California Watch’s public engagement manager is figuring out how to deliver information to the audiences who need it most but are hardest to reach. This means that her techniques have to be as unique as the diverse communities that she’s targeting.
With the earthquake safety story, the solution was putting information in a kid-friendly format — coloring books. And not just in English, but also in Spanish, Vietnamese and both simplified and traditional Chinese, the most spoken languages in California.
California Watch had planned to print 2,000 copies, but the demand quickly exceeded that. By the time the outreach campaign ended in June, California Watch published 36,000 coloring books and distributed them for free. The site, Alvarado said by phone, is still getting requests for books from schools and organizations.
A fine example of nonprofit journalism making itself matter.
Source: “California Watch’s engagement efforts show staffers what hard-to-reach audiences want,” Poynter Online, June 23, 2011